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Robert Moog with a Moog modular synthesizer. It was acquired by the Columbia-Princeton Electronic Music Center and used almost exclusively by Milton Babbitt, a composer at Princeton University. The instrument read punched paper tape that controlled an analog synthesizer containing 750 vacuum tubes. In 1957, Harry Olson and Herbert Belar completed the RCA Mark II Sound Synthesizer at the RCA laboratories in Princeton, New Jersey. In 1948, the Canadian engineer Hugh Le Caine completed the electronic sackbut, a precursor to voltage-controlled synthesizers, with keyboard sensitivity allowing for vibrato, glissando, and attack control. In the late 1930s, the Hammond Organ Company built the Novachord, a large instrument powered by 72 voltage-controlled amplifiers and 146 vacuum tubes.
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They were adopted by electronic acts and pop and rock groups in the 1960s and 1970s, and widely used in 1980s rock. Switched-On Bach (1968), a bestselling album of Bach compositions arranged for synthesizer by Wendy Carlos, took synthesizers to the mainstream. Synthesizers were initially viewed as avant-garde, valued by the 1960s psychedelic and counter-cultural scenes but with little perceived commercial potential. Software synthesizers now can be embedded on single microchips in any electronic device.
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The first mass-produced synthesizer, the Yamaha DX7, was launched in 1983, popularizing digital synthesis. 1982 saw the introduction of MIDI, a standardized means of synchronizing electronic instruments that remains an industry standard. In 1970, the smaller, cheaper Minimoog standardized synthesizers as self-contained instruments with built-in keyboards, unlike the larger modular synthesizers before it. The Moog synthesizer, developed by Robert Moog and first sold in 1964, is credited for pioneering analog synthesis concepts such as voltage-controlled oscillators, envelopes, noise generators, filters, and sequencers. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. A sample of several common synthesizers (Moog Model D, Juno 106, and TB-303) being played together.